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Text © Freddy Silva "Suddenly, I heard a noise. It seemed as if something pushed down the wheat. That night the air was completely still. I looked around. The moon had just appeared, shining brightly. In front of my eyes I could see a great imprint taking shape. The wheat was forced down in a clockwise direction." -Bryce Bond and Arthur Shuttlewood, first modern crop circles witnesses, Warminster, night of August 12, 1972
Since then, hundreds of simple, sporadic events have surfaced from around the world dating back to 1890; several cases even date to the time of Isaac Newton. Initially, the phenomenon was attibuted to freak wind vortexes, although why these created such perfect shapes in crop fields remained unexplained, after all, wind vortices and tornadoes generally rip things out of the ground. One very crucial piece of evidence from the 1970 s posed an interesting dilemma for researchers and scientists trying to pin the blame on pranksters armed with rope and pieces of wood. In those days the fields did not have the hallmark tractor ruts (tram lines) that today cross the fields in parallel lines every 60 feet or so. This is very important in establishing the cause of crop circles, by virtue that a person trying to lay a perfect design upon the wheat would have had to do so by levitating. It could be argued that a balloon was used, although nobody has satisfactorily explained how a balloon could be maintained perfectly still four feet off the ground, around a wooden peg which, presumably, would enable a person to lean out of the basket while he moved the wheat in a perfect spiral, without damaging the plants and leaving no hole in the middle. And all this in the middle of the night. The debate raged on and all kinds of agencies were given credit for these mysterious circles- wind vortexes, little green men, poor soil conditions, sex-mad hedgehogs and, most popular of all, the plasma vortex theory.
Then in 1983 the first quintuplet design appeared- a large central circle surrounded by four smaller circles within the standing crop, precisely aligned to the four cardinal points. Four of the circles were rotated clockwise, the fifth counter-clockwise. Now even the army was devoting serious helicopter time to these occurrences, for here was something that was simply inexplicable. Unusual anomalies seemed to accompany the formations- dogs in the vicinity would bark incessantly from 2am to 4 am, just hours before a crop circle was spotted nearby; animals that ventured into new formations vomited, orange balls of light were observed; strange noises- like the rustling of electricity- were heard and recorded; and UFO reports preceded the appearance of formations. More importantly, the phenomenon showed intelligent reaction to the thoughts and theories of the researchers, either to communicate or lead them in a pre-meditated direction: when they said formations were caused by freak winds on sides of hills, the crop circles moved to flat, open areas; when men armed with planks of wood were suggested as the culprit, circles developed in oil seed rape (canola), one of the most brittle plants; if balloons were to blame, they appeared under high voltage wires.
More formations began appearing in closer proximity to ancient monuments; Silbury Hill, Europe's own 'pyramid' received forty visits. In one bizarre case at Corhampton, three single circles were placed mathematically correct within an equilateral area, making it the first crop formation to exhibit a musical diatonic ratio (above). Furthermore, its physical features were extraordinary. Here was a series of circles that had been previously flattened but now the stems were lifting back to the light of the sun in a selective manner, in three seperate groups. In the first group, plants were bending on the node nearest to the ground. In the second group plants were lifting up on the node half-way up the stem, and plants in the third group were bending at the node nearest the head. From the air, they'd grown into a pattern consisting of seven concentric rings and forty-eight spokes.
But nothing would have prepared anyone for the surprises in store for 1990.
Photo credits: © Colin Andrews, Pat Delgado, Busty Taylor 1980-89. Text © Freddy Silva 1997 |
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